“Colonel Lysander Stark stopped at last before a low door, which he unlocked. Within was a small, square room, in which the three of us could hardly get at one time. Ferguson remained outside, and the colonel ushered me in.

“‘We are now,’ said he, ‘actually within the hydraulic press, and it would be a particularly unpleasant thing for us if anyone were to turn it on. The ceiling of this small chamber is really the end of the descending piston, and it comes down with the force of many tons upon this metal floor. There are small lateral columns of water outside which receive the force, and which transmit and multiply it in the manner which is familiar to you. The machine goes readily enough, but there is some stiffness in the working of it, and it has lost a little of its force. Perhaps you will have the goodness to look it over and to show us how we can set it right.’

“I took the lamp from him, and I examined the machine very thoroughly. It was indeed a gigantic one, and capable of exercising enormous pressure. When I passed outside, however, and pressed down the levers which controlled it, I knew at once by the whishing sound that there was a slight leakage, which allowed a regurgitation of water through through one of the side cylinders. An examination showed that one of the india-rubber bands which was round the head of a driving-rod had shrunk so as not quite to fill the socket along which it worked. This was clearly the cause of the loss of power, and I pointed it out to my companions, who followed my remarks very carefully and asked several practical questions as to how they should proceed to set it right. When I had made it clear to them, I returned to the main chamber of the machine and took a good look at it to satisfy my own curiosity. It was obvious at a glance that the story of the fuller’s-earth was the merest fabrication, for it would be absurd to suppose that so powerful an engine could be designed for so inadequate a purpose. The walls were of wood, but the floor consisted of a large iron trough, and when I came to examine it I could see a crust of metallic deposit all over it. I had stooped and was scraping at this to see exactly what it was when I heard a muttered exclamation in German and saw the cadaverous face of the colonel looking down at me.

“‘What are you doing there?’ he asked.

“I felt angry at having been tricked by so elaborate a story as that which he had told me. ‘I was admiring your fuller’s-earth,’ said I; ‘I think that I should be better able to advise you as to your machine if I knew what the exact purpose was for which it was used.’

“The instant that I uttered the words I regretted the rashness of my speech. His face set hard, and a baleful light sprang up in his gray eyes.

“‘Very well,’ said he, ‘you shall know all about the machine.’ He took a step backward, slammed the little door, and turned the key in the lock. I rushed towards it and pulled at the handle, but it was quite secure, and did not give in the least to my kicks and shoves. ‘Hello!’ I yelled. ‘Hello! Colonel! Let me out!’

“Not at all. I hate Misters, always.”

“Yes, so do I. I like one name only.”

The little officer seemed very winning and delightful to Aaron this evening—and Aaron began to like him extremely. But the dominating consciousness in the room was the woman’s.

“DO you agree, Mr. Sisson?” said the Marchesa. “Do you agree that the mock–innocence and the sham–wistfulness of Botticelli’s Venus are her great charms?”

“I don’t think she is at all charming, as a person,” said Aaron. “As a particular woman, she makes no impression on me at all. But as a picture—and the fresh air, particularly the fresh air. She doesn’t seem so much a woman, you know, as the kind of out–of–doors morning– feelings at the seaside.”

“Quite! A sort of sea–scape of a woman. With a perfectly sham innocence. Are you as keen on innocence as Manfredi is?”

“Innocence?” said Aaron. “It’s the sort of thing I don’t have much feeling about.”

“Ah, I know you,” laughed the soldier wickedly. “You are the sort of man who wants to be Anthony to Cleopatra. Ha–ha!”

Aaron winced as if struck. Then he too smiled, flattered. Yet he felt he had been struck! Did he want to be Anthony to Cleopatra? Without knowing, he was watching the Marchesa. And she was looking away, but knew he was watching her. And at last she turned her eyes to his, with a slow, dark smile, full of pain and fuller still of knowledge. A strange, dark, silent look of knowledge she gave him: from so far away, it seemed. And he felt all the bonds that held him melting away. His eyes remained fixed and gloomy, but with his mouth he smiled back at her. And he was terrified. He knew he was sulking towards her— sulking towards her. And he was terrified. But at the back of his mind, also, he knew there was Lilly, whom he might depend on. And also he wanted to sink towards her. The flesh and blood of him simply melted out, in desire towards her. Cost what may, he must come to her. And yet he knew at the same time that, cost what may, he must keep the power to recover himself from her. He must have his cake and eat it.

And she became Cleopatra to him. “Age cannot wither, nor custom stale—” To his instinctive, unwilled fancy, she was Cleopatra.

They went in to dinner, and he sat on her right hand. It was a smallish table, with a very few daisy–flowers: everything rather frail, and sparse. The food the same—nothing very heavy, all rather exquisite. They drank hock. And he was aware of her beautiful arms, and her bosom; her low–crowded, thick hair, parted in the centre: the sapphires on her throat, the heavy rings on her fingers: and the paint on her lips, the fard. Something deep, deep at the bottom of him hovered upon her, cleaved to her. Yet he was as if sightless, in a stupor. Who was she, what was she? He had lost all his grasp. Only he sat there, with his face turned to hers, or to her, all the time. And she talked to him. But she never looked at him.